“The so-called 'Left-Hand Path' - that of Kaulas, Siddhas and Viras - combines the... Tantric worldview with a doctrine of the Übermensch which would put Nietzsche to shame... The Vira - which is to say: the 'heroic' man of Tantrism - seeks to sever all bonds, to overcome all duality between good and evil, honor and shame, virtue and guilt. Tantrism is the supreme path of the absolute absence of law - of shvecchacarī, a word meaning 'he whose law is his own will'." ― Julius Evola, The Path of Cinnabar.

“It is necessary to have “watchers” at hand who will bear witness to the values of Tradition in ever more uncompromising and firm ways, as the anti-traditional forces grow in strength. Even though these values cannot be achieved, it does not mean that they amount to mere “ideas.” These are measures…. Let people of our time talk about these things with condescension as if they were anachronistic and anti-historical; we know that this is an alibi for their defeat. Let us leave modern men to their “truths” and let us only be concerned about one thing: to keep standing amid a world of ruins.” ― Julius Evola, Revolt Against the Modern World: Politics, Religion, and Social Order in the Kali Yuga.

“We are born into this time and must bravely follow the path to the destined end. There is no other way. Our duty is to hold on to the lost position, without hope, without rescue, like that Roman soldier whose bones were found in front of a door in Pompeii, who died at his post during the eruption of Vesuvius because someone forgot to relieve him. That is greatness. That is what it means to be a thoroughbred. The honorable end is the one that can not be taken from a man.” ― Oswald Spengler, Man and Technics: A Contribution to a Philosophy of Life.

Monday, April 19, 2010

Legend of the grateful and helpful dead of Baar


From Patrick Pollefeys:

This fresco located in Baar, Switzerland, was painted on an ossuary wall in the first half of the 16th century. In 1740, it was restored and heavily modified. Still, the Legend of the grateful and helpful dead of Baar is one of the best examples of a very rare macabre genre. In the Baar picture, a man is chased by a band of thieves. Sheltering in a cemetery, he kneels down and prays for help. Grateful for the prayers this man piously says so that their souls rest in peace, the dead arise and walk out of their graves to protect him, some with scythes, others with sticks. This tale belongs exclusively to the Germanic culture; is was widespread in Switzerland, and to a lesser extent in Germany. The Legend of the grateful and helpful dead taught people a lesson quite different from the other macabre genres. The Legend of the three living and the three dead, the dance of death and the triumph of death show that all men must die; here, the grateful dead remind us to pray in memory of the ones we loved. Instead of being a menace, the fleshless corpses lend a hand to the people crying out in fear.

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