“The so-called 'Left-Hand Path' - that of Kaulas, Siddhas and Viras - combines the... Tantric worldview with a doctrine of the Übermensch which would put Nietzsche to shame... The Vira - which is to say: the 'heroic' man of Tantrism - seeks to sever all bonds, to overcome all duality between good and evil, honor and shame, virtue and guilt. Tantrism is the supreme path of the absolute absence of law - of shvecchacarī, a word meaning 'he whose law is his own will'." ― Julius Evola, The Path of Cinnabar.

“It is necessary to have “watchers” at hand who will bear witness to the values of Tradition in ever more uncompromising and firm ways, as the anti-traditional forces grow in strength. Even though these values cannot be achieved, it does not mean that they amount to mere “ideas.” These are measures…. Let people of our time talk about these things with condescension as if they were anachronistic and anti-historical; we know that this is an alibi for their defeat. Let us leave modern men to their “truths” and let us only be concerned about one thing: to keep standing amid a world of ruins.” ― Julius Evola, Revolt Against the Modern World: Politics, Religion, and Social Order in the Kali Yuga.

“We are born into this time and must bravely follow the path to the destined end. There is no other way. Our duty is to hold on to the lost position, without hope, without rescue, like that Roman soldier whose bones were found in front of a door in Pompeii, who died at his post during the eruption of Vesuvius because someone forgot to relieve him. That is greatness. That is what it means to be a thoroughbred. The honorable end is the one that can not be taken from a man.” ― Oswald Spengler, Man and Technics: A Contribution to a Philosophy of Life.

Tuesday, July 28, 2009

Calendrier Magique (1895)

Note the numbers and "sigil" monograms, all significantly pre-dating the works of Aleister Crowley and A.O. Spare. Demonstrating that certain ideas were in play well before being made more widely-known by the "rock stars."


Colored Lithographs by Manuel Orazi. A rare piece of occultist ephemera, printed in an edition of 777 copies to commemorate magic for the coming year of 1896. Each double page spread mimics the Christian calendar in some respect (name days, iconography). The document is at once a spoof and an attempt to chart the year of magic. Its surviving interest resides in the extravagant and compelling illustrations, especially the full-page right hand plates, by Manuel Orazi (from the Fantastic in Art & Fiction collection from Cornell University)

This red text page is also the colophon / naked hag with book open in lap, sitting on stool, within circle set with candles; gold flames; pentagram, star of David.


owl carrying keys; bat carrying seal


diagram of solar system; listing of dates for days of the week; chant / naked women at Sabbat; satan as winged anthropomorphous goat

sun with cloud interior indicating cardinal directions; charts; spells / bearded man holding up open book; death gazing down; naked woman in foreground

chart of days of week; pentagram with broken circle; le maudit blaspheme / dark angel, naked; moon and skyline

star of David; medieval frieze: procession of priests and nobility; tarot card The World / skeleton of king in coffin; single candle; crowns, sword, staffs, orb


tree; chalises; frog; bird; love potion / exhibitionist bat-winged woman; necromancer gazing, gesturing into glowing cauldron, with familiar strutting on his head

poem; frog / naked woman in arms of dark man; feminine demons coming from smoke of extinguished candle; creatures of the night

laboratory instruments; poem / Alchimist lying on floor of his laboratory, black cat at his feet

chalice on table with legs, ears / woman lying prone on table with chalice on back; men in dark robes around her; satan as goat


charts; poem / demon rolling past moon; procession of dark-robed people into cemetary; abracadabra


charts, bound demon / entranced naked woman crouched down looking upon embers of crosses burning within a circle, a demon is just visible in the smoke

calendar chart; spell / naked old man sitting, creating voodoo doll; bird-like demon silhouetted by moon; hand gripping sword; row of dolls; heart pierced by nails, knife


poem ‘le Héraut’; calendar chart; star diagram with suns at points, labeled: l’être est, réalité, justice, raison, vérité / man in ecclesiastical garb, bearing flag with crosses, holds forth an opened message with broken seal; figures tied to stakes and village rooftops in background


chart or various good end evil spirits; chart of planetary influences upon hours of the days of the week; lions; owl; snake; bird food / chart of the good and bad spirits/influences that can be magically used on the different days of the week
see the entire Fantastic in Art & Fiction collection [here]

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